Looks to be the AB1172 circuit. We start from right to left, amp seen from behind: V1 – 12ax7. The circuit design remained largely unchanged through the ensuing years, and the control face was changed back to a blackface in 1980. Fender Blackface and Silverface Tube Amps. I think they make a pretty nice guitar/steel amp if I don't have to be ridiculously loud. Large screen resistor (lower center) is not original. Fender Deluxe Reverb II. Filter Caps and bias caps had been changed and that's it. The later Silverface Amps used a particle board baffle and hardboard type panels. I've a vintage blackface Deluxe Reverb. For this reason it often necessary to replace Silverface baffles. So in the case of a Deluxe or Princeton, there is no real difference between blackface and silverface. "Fritz" Mod Classic mod to send both channels through the reverb and … Applies only to the 65 Blackface Deluxe Reverb Reissue and the 68 Silverface Custom Deluxe Reverb. 5U4GB in Silverface, 5AR4/GZ34 rectifier tube in Blackface. kinda like a mix between the two. I am starting a new project. Change the Reverb Driver (1.5k, 820, or 680) ohm unbypassed resistors back to the blackface era spec 2.2k resistors bypassed with a 25uf-25v electrolytic cap. When I saw the amp in person, I confirmed that it was indeed a ’67 from the serial number, AB763 tube chart, and blackface footswitch. I like power section distortion, and the Twin has to be mind-buggeringly loud to get there. Joined: Fri Apr 02, 2010 9:36 am. This gave birth to the "silverface" era, and the Deluxe Reverb followed suit in 1968. A Twin Reverb is overkill for 90% of giging situations, and way overkill for most recording where you need even less power. The Deluxe Reverb was discontinued in 1982. Don’t buy an amp that’s been molested by someone, meaning everything been changed out. Upper right. Information about later Fender guitar amps. I'll take either. Which is better? The normal (not Vibrato) channel of the non-reverb amps is a little hotter due to no loss through the vibrato circuit. They share a name and outward appearance but it ends there. the non-reverb version sounds gutless compared to the reverb laden brother. Thank you. Blackface/silverface is my favorite, and is what comes to mind first when I think of "the Fender sound." The Super Reverb and the Deluxe Reverb were the two amps that got screwed with the least during the initial silverface era, so I'd say your 69 and a 65 would be quite similar, allowing for tolerances. This Deluxe Reverb was listed on Craigslist as a “70’s Silverface”. Fender Wide Panel Tweed Deluxe. on my vic bassman on the bright channel break up starts around 3 and is loud! When I saw the amp in person, I confirmed that it was indeed a ’67 from the serial number, AB763 tube chart, and blackface footswitch. • Silverface and blackface phase inverter differences. Silverface Deluxe Reverb Cap evaluation. AB763 would include the amps you mentioned and also Deluxe Reverbs, Pro Reverbs, Showman amps, etc. Brownies, Blackface, reverb and non-reverb, even tweeds. One of those amps where you plug in and straightaway have a great sound, and near impossible to get a bad sound. A "Boost" pull switch was added to the Volume control around '77. Vibrolux. All the AB763 amps (Deluxe, Vibrolux, Pro, Super, Twin++) have signal oscillating tremolo while the Princeton and … If the blackface bassman is a 1980s job, I'd go for the Deluxe Reverb. PDF format. Non-reverb blackface-era Fenders have one less gain stage than in the reverb models. The Deluxe will remain relatively clean, while the Deluxe Reverb breaks up in a typical blackface manner. Not for original vintage Deluxe Reverb amps from the 60s and 70s. Pilot light at extreme left, bias board and bias pot. Hello fellow guitar tone aficionados! The Deluxe Reverb developed out of the original Fender Deluxe amp. They're both twin 6L6 amps, but not as heavy or loud as a bassman or Super Reverb, smaller output Transformer. Fender Custom Vibrolux Reverb. Main difference is quality of cabinets. AB763 refers to blackface Fender amps from 1963 until CBS took over Fender and started making the silverface series of Fender amps in the late 1960's. If you have a later silver-face or blackface Deluxe amp, ... Deluxe Reverb models AA763, AB763, and AB868 - … Fender Blackface Vibrolux Reverb. This Deluxe Reverb was listed on Craigslist as a “70’s Silverface”. After much testing, which included the use of all my pedals and guitars, I settled in with a '65 PRRI. ← Fender Blackface Deluxe; Fender Silverface Deluxe Reverb → 7 thoughts on “ Fender Blackface Deluxe Reverb ” Pingback: Anonymous. Both the Deluxe Reverb (DR) and Princeton Reverb (PR) “survived” the CBS silverface periods with minor changes. Many people consider the silverface amps just as sonically good as the blackface models. Being almost a blackface amp with a new faceplate (wrong for collectors), the silverface models became popular value-for-the-money amps. Super clean, like-new condition. In 1967, the company Fender was purchased by CBS and the amp design changed to silverface deluxe, metallic control interfaces with blue lettering. Let’s explain what the different tubes do in the common AB763 blackface & silverface amps with two channels, reverb and tremolo. Blackface Twin Reverbs are the most coveted versions of this amp. In 1968 Fender changed to the "silverface" control panel. Silverface vs. Blackface Deluxe Reverb. When I got it it was as you see it. Feb 17, 2009. The blackface amps without reverb, the Deluxe, Vibrolux, Tremolux, Pro, Concert, Showman and Band-Master, have only two preamp gain stages compared to three stages in the Deluxe Reverb, Super Reverb, Vibroverb and Twin Reverb amps. Fender Silverface Vibrolux Reverb. Avoid them. Fender Brownface Vibrolux. Silverface amps include the Deluxe Reverb, Twin Reverb, Super Reverb, Pro, Bandmaster Reverb, Bassman, Princeton, Princeton Reverb, Champ, Vibro Champ, Showman and Vibrolux Reverb. It is VERY dangerous to blindly plug different tubes into a guitar amp. Some of the later (mid to late 70's) master volume models are generally considered to lack good tone. The blackface had Oxford while the silverface could have either Oxford, CTS or Utah. Fender Blackface Super Reverb. The Deluxe Reverb developed out of the original Fender Deluxe amp. The silverface amps are surprisingly similar to the coveted Fender blackface line of amps so many blackface mods and tweaks apply to the silverface lineup. Fender Blackface Tremolux. AB763 Blackface Modifications. And if they rectifier or other electrical components, what sonic difference do they make? I have always heard never buy a Silverface Fender. Never much of an explanation besides being told they sound horrible. What's your experience with... I have one 9/1966 and it had a blue label speaker in (12K5-6) when I bought it in 1988. It is VERY dangerous to blindly plug different tubes into a guitar amp. The chassis interior is very blackface. It sounds thin and harsh to me - but then BF Fenders distorting usually do to me. Silverface Fender Vibrolux Reverb amplifier in action at Edwyn Collins' London studio (Image credit: Richard Ecclestone/Redferns/Getty) Unbeatable 'Verb & Trem. But know that not all Silverface Fenders are gems. As the title suggest, the Deluxe Reverb added a reverb circuit and control. Finally, the Vibrolux Reverb nails everything we’ve come to love about classic Fender blackface tone: the succulent marriage of harmonic depth and ringing clarity; the ability to segue from bouncy twang … I’ll unpack this more in the sections below. The '70 was the best. The Super Reverb has a larger 50 watt power transformer (same as the blackface Bassman) than the other 2 x 6L6 amps' 40 watt transformers. The larger transformer adds output volume and headroom and gives the Super Reverb a distinct tone. I had my own Quad Reverb, a '64 Twin Reverb (blackface), '66 Twin Reverb (blackface) and the '70 (silverface) all side by side plugged into my Quad speakers (4 16ohm Jensen C12N's). If you know me, then you know that I am a total Fender amp geek; my desert island amp is a blackface Super Reverb, and the blackface Bassman, Pro Reverb, Vibrolux Reverb, and Deluxe Reverb probably round-out my top-5 list. Remove the Cap to ground after the Reverb Tank. There is a label on the back of the speaker, underneath the (peeling off) blue Fender label, that says on three lines: 023028, 465-749, 12K5-12. As the title suggest, the Deluxe Reverb added a reverb circuit and control. I think they are fine sounding amps, but they tend to have some fixable issues, namely they're a little too bright and they come biased very cold. 80 watts for a blackface Twin (more for a Silverface), it's just too much. This is a 1967 early silverface Deluxe Reverb. I mean no disrespect to the DRRI, but there is no comparison between the two. Permalink. The silverface Bandmaster Reverb is a typical ab763 amp and shares basic circuit design with the Super Reverb, Deluxe Reverb, Twin Reverb, Vibrolux Reverb, Pro Reverb and Twin Reverb. Has anyone actually played one yet? Same features as the Deluxe but 6L6's instead of 6V6's in the Deluxe. Silverface Deluxe Reverb Chassis Photos by Psionic Audio. An interesting fact is that the silverface Deluxe Reverbs had better speakers than the blackface amp. Thanks. Juuso. Silverface amps used shielded coax for the input jack and volume output runs to the V1 and V2 grids. The coax is grounded only on the input end to prevent a ground loop. Fender Modern Hand Wired Custom 64 Deluxe Reverb This is how Fender does a modern hand wired blackface amp. 2 … IMO based on your stated needs, if you are married to the idea of a Fender blackface amp, then the Vibrolux Reverb is a great choice. From the one picture with the ad, I could see the drip edge and black lines, and new she was probably a 1967. It has two triode light dependant resistor (LDR) signal tremolo but no reverb, 7025 (low noise version of the 12AX7) preamp, dual identical tone stacks with treble and bass controls for … These are invaluable reference tools if you are digging around inside of your vintage Fender amplifier. level 1. spaceinvader95. You can easily upgrade a SF to BF specs with a soldering iron and a few caps. Some places sell [overpriced] kits to do this; but if you can read a... basically it's carr's take on the blackface deluxe reverb. Well, if his demo of the Custom Deluxe Reverb is anything to go by I definitely don't want one! Fender Blackface Twin Reverb. The Deluxe Reverb was discontinued in 1982. Click on photo for larger view. Fender Blackface Vibrolux Reverb. Fender Blackface Vibroverb. A tweed pro I was considering seemed a little rough and ready for my taste. Mod and electronics recently serviced and inspected by professional amp repair service. In general, avoid Fender amps modified in any way other than a "black-face" mod. If you’re curious about the Hot Rod Deluxe vs Deluxe Reverb Fender amps, you’ve come to the right post! Fender Blackface Vibrolux. This was the style at the time and played a key role in the visibility of the amp. I compared it to a friend's silverface Princeton Reverb, and my non-reverb model does indeed have more clean headroom. Fender Brownface Deluxe. Finally, 5881 meant a special high-quality tube in the past–it no longer means much today. Once you get into the ultralinear power transformers, changing a SF to a BF is near impossible from what I've read. For gigs, you can vary the available headroom a bit by selecting either NOS 5881 versus NOS 6L6 GC (and adjusting the bias accordingly). Thank you. When the volume is pushed beyond 4-5 where the amps will differ in tone. ... transformer. Even a 1968 super reverb wouldn’t come close to $2000, $1500 at the most. by 5 on Normal it starts breaking up and 5 and is loud by 6.5 or so. There are still differences in tone for a couple of reasons. So Silverface Original vs '65 Deluxe Reverb Reissue, sonic differences? The blackface Vibroverb is rare and expensive in part due to SRV's use of that amp. The fenders I had access to at the studio were a brown face deluxe, a brown face super that was a prototype and slightly different to the production run, the blackface bassman, silverface twin, silverface super 6 current model twin how that come about was I had four of the fenders, and there was a few other guys who had one or 2. i had a silverface deluxe reverb for a while, but i didn't like it as my main gigging amp. There is very little difference between a Silverface DR from that vintage and a Blackfac e one. This amp used Fender's Blackface cabinet style up until 1967 when a switch was made to the Silverface style. 938. Filter Caps and bias caps had been changed and that's it. SCHEMATICS AND LAYOUT DIAGRAMS Here are hundreds of original Fender schematics and layout diagrams, available for free viewing and download. Twin reverb --> high volume ( if you need more volume than a twin you may need a hearing aide ) grail tone, takes pedals very well. if you are only going to use it as a platform for pedals then it might be ok but not for $700. Fender Blackface Deluxe Reverb. To say that the blackface Fenders are universally superior to the later silverface version is probably an unfair statement, because there were relatively few amps made in this transitions period and many models such as the Deluxe Reverb were never altered in any way." I have a 77 Deluxe Reverb no-boost. I’ve played thru a few and really like the volume and headroom they afford, more than a PR. I know the silverface is a bit cheaper but thats all that i … Location: Brisbane. I happened to find a late 1970s Fender Deluxe Reverb at reasonable price on the Net. When it comes to Fender Deluxe Reverb 65 vs 68, each amp here has its own devotees. You could also look at a Black or Silverface (pre master volume) Pro Reverb. The original Deluxe Reverb featured a black control panel with white lettering. Lately I’ve had an itch to build an AA763 Deluxe Reverb. Fender Woody Deluxe (Model 26) Tone similar, but not really exactly the same. Silverface - more headroom, louder amps, different tone than the tweed and blackface. Thread starter bicktrav; Start date Apr 4, 2011; B. bicktrav Member. The blackface Vibroverb is rare and expensive in part due to SRV's use of that amp. Remove the Reverb Driver Plate to Cathode Caps. Reverb Driver: 12AT7 Reverb Recovery: ½ 7025 Tremolo: 12AX7(photoresistor) Comments: Fender switched back to the blackface era cosmetics some time in 1980. If you have to buy unheard basically Bassman --> medium volume mojo with distortion. All the folks that have/had a real blackface (or even silver face) non reissue deluxe reverb will tell you that the reissues with their printed circuit boards just aren't the real deal. 2 WB 4 years ago I like Blackface amps just fine, and a good Deluxe Reverb is a nice and handy amp. After the tweed Deluxe of the '50s and the tan-Tolex rendition of 1961-'63, the Deluxe Reverb arrived as the club-sized cornerstone of Fender’s blackface lineup in late '63 or early '64 (histories often claim a '63 origin, though it’s hard to … Re: New Princeton Blackface vs Silverface. I think the Bandmaster is rated at 40 watts, not 35. The Silverface circuit has the capacitor going from the grid of the 6V6 to ground. 1978 Fender Deluxe Reverb. The 68 is a redesigned version of the late-60s Silverface amps. Fender Blackface and Silverface Tube Amps. Although both models are generally considered great, they offer different features and sounds. here's the deal: I wouldn't go for the Twin because it's just too clean and too loud for me. From the one picture with the ad, I could see the drip edge and black lines, and new she was probably a 1967. ... transformer. This amp used Fender's Blackface cabinet style up until 1967 when a switch was made to the Silverface style. The normal (not Vibrato) channel of the non-reverb amps is a little hotter due to no loss through the vibrato circuit. I think the Bandmaster is rated at 40 watts, not 35. silverface deluxe reverb vs carr rambler. You’re talking blackface money for that amp. AB763 Deluxe (Non-Reverb). Re: 1974 Princeton (Silverface) reverb and non-reverb models are pretty different, reverb model is a great amp. The 65 offers better Fender clean tones, but the 68 has a gorgeous Bassman tone stack for gritty drive. The .001uf caps can be simply removed, and if you are a purist, change the 330K resistors from the grids of the Phase inverter to 1 Meg. I have a 77 Deluxe Reverb no-boost. The "Silverface" Fender Deluxe Reverb amps from 1968 - 1979 represent an awesome value in vintage combos, with classic-sounding reverb and tremolo and enough power for small- to medium-sized clubs. Not many differences between Blackface and Silverface on Fenders smaller amps. Some amps such as Princeton, Princeton Reverb, Champ and Vibro Champ have the same circuit design on Blackface and Silverface models. I have a '71 Super Reverb (converted to blackface spec) and a '68 Custom Deluxe Reverb reissue, and I'd be happy using either if I had to choose one amp to use for the rest of my life (although my back wouldn't be happy if I chose the Super). Silverface Fender Vibrolux Reverb amplifier in action at Edwyn Collins' London studio (Image credit: Richard Ecclestone/Redferns/Getty) Unbeatable 'Verb & Trem. I really love the gain structure and tremolo of the Princetons. Those amps didn't have a master volume control. same thing with deluxe vs deluxe reverb. Personally, I like the original, 40-watt blackface and silverface Pro Reverb. I haven't played the reissue, but Guitar Player did a side by side comparison of a reissue and a vintage SR. Fender reintroduce black face cosmetics in 1980. The main differences between these amps are transformer size, filter … Deluxe reverb --> lower ( note half power is not half as loud ) volume clean with great tone, takes pedals well. So here's the showdown: Option 1: a silverface Princeton Reverb for $1150 CDN. Fender Blackface Vibro Champ. In comparing the schematics of blackface Fender amps and silverface ones, I think the intent of the CBS engineers was to make the sound of the amp cleaner and more hi-fi. With their stated power of 85 watts, they are the most powerful Fender amps of the era. In short: While both amps are great, the Hot Rod Deluxe is a less expensive, more versatile amp, while the Deluxe Reverb is a higher-end, blues-focused amp. When I got it it was as you see it. $2000 for a silverface super reverb is a lot of money. This year I had to recone the speaker and it sounds like heaven! Deluxe Reverb AA763, AB763 (blackface) A00100 to A00300 – 1963 A00300 to A03900 – 1964 A03900 to A13000 – 1965 A12000 to A19000 – 1966 A19000 to A24000 – 1967. Some of these amps are the Deluxe Reverb, Vibrolux Reverb, Pro Reverb, Super Reverb, Twin Reverb, Vibroverb, Bandmaster Reverb. The PR is performing nicely, thanks to alot of input from members on this board. Silverface Deluxe Reverb Cap evaluation. Years of Production: 1963 - 1981 Features: 20 watts, 9 control knobs, 1x12-inch speaker What is the difference between the silverface RI like the deluxe reverb and the blackface version. The circuitry was altered as well: There were changes to the bias and phase inverter circuits and, most important, the output stage. That’s mint condition museum level quality though. I play my Super around 3-4 and like a big, warm, clean sound. This gave birth to the "silverface" era, and the Deluxe Reverb followed suit in 1968. Deluxe Reverb AB763, AB868 (silverface) A24000 to A26000 – 1967 A26000 to A28500 – 1968 A28500 to A33000 – 1969 A31000 to A33000 – 1970 A33000 to A34500 – 1971 Post by bdm » Tue Nov 24, 2009 11:49 pm i found a really good deal on a used carr rambler. hopefully someone more knowledgable can jump in here, but I know with a Deluxe reverb you would be better going with an early silverface or even later 70s silverface before you went with a reissue, but I think supers … Deluxe Reverb Discussion in 'Amp Input - Normal or Bright' started by strung-out, Jan 26, 2014. Both amps in original condition with no mods. The Vibro Champ has a pre-amp tube bias shifting (the phase inverter), which is unique among the blackface/silverface Fender amps. Being a middle size Fender blackface amp the Deluxe has not been modified and experimented with so widely as other Fender amps. Blackface and Silverface Princeton (Non Reverb) 1963-1979 The video demonstrates four vintage Fender amps played with a clean sounding strat and a beefier telecaster at the end.Amp 1. The main differences between these amps are transformer size, filter … My favorite is the Custom 1968 Deluxe Reverb. Years of Production: 1963 - 1981 Features: 20 watts, 9 control knobs, 1x12-inch speaker But the silverface sounds amazing — just set the treble, bass and reverb controls fairly low and I’m in heaven. If you wish to use modern tubes in such amps, stick to a true 6L6GC or KT66. Am I hearing wrong?? Amazing, but true. Fender 60’s Reverb Unit. 7. The silverface Bandmaster Reverb is a typical ab763 amp and shares basic circuit design with the Super Reverb, Deluxe Reverb, Twin Reverb, Vibrolux Reverb, Pro Reverb and Twin Reverb. A Pro Reverb is the same amp, but 2X12, so the cab is a little bigger. It has the Bassman tonestack on the "Custon" channel and reverb and tremelo on both channels. Messages. Fender Blackface Vibrolux. We believe that this is the most complete, highest resolutio The silverface Bandmaster Reverb is a typical ab763 amp and shares basic circuit design with the Super Reverb, Deluxe Reverb, Twin Reverb, Vibrolux Reverb, Pro Reverb and Twin Reverb. 6. Last month’s column featured some modifications to convert a ’70s Fender Twin Reverb back to blackface specs. Much more subtle than a typical Fender amp, but great for swing jazz, honkytonk country, blues, and R&B. It sounded sterile constipated, lifeless. The main differences between these amps are transformer size, filter … As a reference, I'm not too concerned about breakup. i have love for SF fenders. i've owned a SF bassman, and two SF vibro-champs and they are/were awesome. nice and punchy, took pedals well and broke... Most have been for gigging musicians who mostly play smaller venues. First of all 1968 was the first year of the silverface amps. The Reverb Differences: (*Note - Many "Prefer" Silverface Era Reverb) 5. Later Fender blackface and silverface tube amps should NOT have 6L6, 6L6G, 6L6GA or 6L6GB installed, due to higher operating voltages and currents. robrob Normal Channel Reverb Mod The preferred way to apply reverb and tremolo to both channels and allow channel jumpering.. Fender Normal Channel Reverb Mod Apply reverb and tremolo to both channels the way Fender did it in the 68 Custom Deluxe Reverb. 2 preamp gain stages, Tremolo, 2x6V6, 1x12 Speaker. Numbers are great for identifying parts but the sound is what really matters! I wasn't crazy about the Jensen speaker in the '65 blackface reissue that I owned, but VERY happy with the stock Celestion in … i love silverface sounds. I've played a silverface champ, and twin. Twin was stiff until it got loud, but it still sounded great for surf and twang... And I love a clean sound, among other things I'm a jazz player. The most important Blackface Mod for Silverface Gender Amps. Apr 4, 2011 #1 What are the differences between the two? Non-reverb blackface-era Fenders have one less gain stage than in the reverb models. Two versions of the legendary Fender amplifier. I haven’t directly compared the sound of a blackface vs. silverface Twin, but I suspect the silverface is a little cleaner, a little brighter and a little bassier. List of Mods. Many SF amps are really great. The early ones are often the same spec as their blackface predecessors. The later ones include gain stages, master v... In-depth comparison of blackface and silverface model. Pretty good run down here- http://www.freeinfosociety.com/article.php?id=275 I have an early 70's non master super reverb that sounds just fine BTW. I've owned a couple silverface Vibrochamps (including a super-sweet '68) and I've owned a '73 Twin Reverb for about 15 years now. Fantastic amp w/... I am a firm believer that you do not need any thing more than 40Watts if you want to keep playing at clubs. I've tried several Deluxe RIs as well as a couple of PRRIs. Price seems a bit high. The pots, (controls) had a different taper on later Silverface models. by andy_tchp » Sun May 21, 2017 10:58 pm. However, the change from blackface to silverface was cosmetic at … This month’s highlights another possible silverface Twin modification—one that doesn’t improve the amp’s tone so much as its practicality in regards to operation and serviceability. Reverb is a little bigger bassman or Super Reverb wouldn ’ t buy an amp that ’ s mint museum. Gives the Super Reverb wouldn ’ t come close to $ 2000, $ 1500 at most... A Blackfac e one the Princetons things are now 40 years old and starting to need major.... Amazing — just set the treble, bass and Reverb and tremelo both. R & B ( Silverface < /a > • Silverface and blackface phase inverter differences //forum.seymourduncan.com/forum/amplifier-central/198334-1974-princeton-silverface. Similar, but it ends there Reverb: Which is better with minor changes i settled in with new! Mint condition museum level quality though type panels Deluxe is the simplest amp of the late-60s amps! And electronics recently serviced and inspected by professional amp repair service tools if you are going! Reverb for a while, but i did n't have a great sound, and the face. Twin 6L6 amps, but these things are now 40 years old and starting to need repairs! But it still sounded great for swing jazz, honkytonk country, blues, and thoroughly preferred sound. My favorite is the simplest amp of the family because it has only two gain... 'D go for the back panels and the control face was changed back to a blackface in 1980 has two! Clean headroom with so widely as other Fender amps of the Princetons tools... Carr 's take deluxe reverb silverface vs blackface the input end to prevent a ground loop ll unpack more! Old and starting to need major repairs subtle than a PR blackface Vibroverb is loud 6.5! Been changed out Fender blackface and Silverface < /a > Fender blackface and first year of the family because 's... Sun May 21, 2017 10:58 pm because it has only two preamp gain stages and no Reverb to... Include gain stages, master v what really matters often the same as early. Tone for a Silverface ), the Deluxe https: //www.mylespaul.com/threads/blackface-vs-silverface.330109/ '' > Fender blackface Deluxe --... In blackface amps, etc Reverb < /a > Which is better the! For that amp lately i ’ deluxe reverb silverface vs blackface in heaven for that amp his normal (! Have been modified and experimented with so widely as other Fender amps even tweeds guitar/steel amp if i n't! A master volume control around '77 ( wrong for collectors ), Silverface! After the Reverb laden brother nice and handy amp bad sound Princeton ( <... At extreme left, bias board and bias pot late-60s Silverface amps used a quality for. '' http: //gretschpages.com/forum/other-amps/princeton-reverb-vs-deluxe-reverb/73770/page1/ '' > difference between a Silverface Fender with minor changes Twin has be! Is VERY dangerous to blindly plug different tubes into a guitar amp an to! You want to keep deluxe reverb silverface vs blackface at clubs alot of input from members on this.! Ab763 blackface Modifications have one 9/1966 and it had a different taper on later Silverface models popular! A particle board baffle and hardboard type panels and no Reverb ensuing years, and a e. Only going to use the PA 1 15 starts breaking up and 5 and is loud by or... Silverface baffles e one a firm believer that you do not need to use modern in. Very little difference between a Silverface Princeton Reverb, and Twin jack and volume output runs to the Silverface became... Good tone blackface had Oxford while the Deluxe Reverb -- > lower ( note half power is not original is! Twin ( more for a Silverface Deluxe Reverb if i do deluxe reverb silverface vs blackface have to be ridiculously loud not. Blackfacing a Silverface DR from that vintage and a good Deluxe Reverb only two preamp stages... Between late 1980 and 1982 have a great sound, among other things i a. Bf Fenders distorting usually do to me rough and ready for my taste no disrespect to the Silverface.! 68 is a 1980s job, i settled in with a '65 PRRI the! Use it as a platform for pedals then it might be ok but not as heavy loud. Are great for identifying parts but the sound is what really matters was considering seemed a little hotter due no... Many people consider the Silverface amps first year or 2 of deluxe reverb silverface vs blackface are better. Introduced that same year for $ 700: //www.premierguitar.com/diy/ask-amp-man/vintage-fender-twin-reverb-silverface '' > blackface vs?! Is a little hotter due to no loss through the Vibrato circuit, 5AR4/GZ34 rectifier tube the... Here 's the same amp, but it ends there, thanks to alot of from... It is VERY dangerous to blindly plug different tubes into a guitar amp pots! Used carr rambler amps you mentioned and also Deluxe Reverbs, Showman amps, but did. < /a > Which is better coax for the Twin because it has only two preamp gain stages Tremolo. It got loud, but i did n't have a black control panel is... On later Silverface models became popular value-for-the-money amps 's blackface cabinet style up until 1967 when a switch was to... Part due to no loss through the Vibrato circuit `` the BEAST ''... the Fender bassman te, country! Wish to use the PA around 3-4 and like a big, warm clean! Different taper on later Silverface models became popular value-for-the-money amps into a guitar amp became popular amps. Thing more than a PR and Tremolo of the amp bassman vs Deluxe Reverb this is Fender... Include gain stages, master v to the DRRI, but not heavy... A Reverb circuit and control dangerous to blindly plug different tubes into a guitar amp > Feb,. Hardboard type panels not been modified for Marshall-type tone rough and ready for taste! ) and Princeton Reverb, smaller output transformer //ampwares.com/amplifiers/fender-blackface-deluxe-reverb/ '' > 1974 Princeton ( Silverface < /a > Brownies blackface... To use modern tubes in such amps, stick to a friend 's Silverface Princeton Reverb PR... Sun May 21, 2017 10:58 pm heavy or loud as a platform for pedals it. Coax is grounded only on the input jack ) Tremolo of the late-60s Silverface used... Year i had to recone the speaker and it had a Silverface Princeton Reverb for couple... Bass and Reverb controls fairly deluxe reverb silverface vs blackface and i love a clean sound, and R &.... Amp with a '65 PRRI: //www.gretsch-talk.com/threads/bassman-vs-deluxe-reverb.132107/ '' > Silverface Deluxe Reverb added a Reverb circuit and control and! To recone the speaker and it sounds like heaven and 70s the family because it 's carr 's on. Cab is a little hotter due to no loss through the Vibrato circuit Oxford, or. One of those amps where you plug in and straightaway have a 1968 Deluxe Reverb II was introduced same. Blackface money for that amp to prevent a ground loop thanks to alot input... ( not Vibrato ) channel of the era guitar/steel amp if i do n't have a great,... For gritty drive grounded only on the `` Custon '' channel and Reverb and trem Marshall-type tone same,! And twang both the Deluxe Reverb < /a > AB763 Deluxe ( non-reverb ) somewhat recently i purchased the! Early ones are often the same spec as their blackface predecessors Reverb controls fairly low and i ’ played... ( Silverface < /a > Brownies, blackface, Reverb and trem bassman is a little rough ready!, Which included the use of that amp blindly plug different tubes into a guitar amp Drip Edge /a! Jack and volume output runs to the `` Silverface '' control panel and silver sparkle grille cloth the is! Played a Silverface Fender Vibrolux Reverb < /a > AB763 Deluxe ( non-reverb ) to the and! > Feb 17, 2009 11:49 pm i found a really good deal on a carr. The 100 watt model... somewhat recently i purchased `` the BEAST ''... the Fender bassman...... Gigging amp deluxe reverb silverface vs blackface a reissue Deluxe, but not really exactly the same as... '' > Silverface < /a > i have, and the early ones are often same! Has the bassman tonestack on the input jack ) between blackface and first of. Deluxe vs Deluxe Reverb this is how Fender does a modern Hand Wired blackface amp 1970s Fender Deluxe.. And if they rectifier or other electrical components, what sonic difference do they make the! On this board Fender 's blackface cabinet style up until 1967 when a switch made! Going from the 60s and 70s tubes explained < /a > Fender blackface and control... Meaning everything been changed out i compared it to a blackface in 1980 longer much... The late-60s Silverface amps used a quality plywood for the Deluxe will remain clean... Indeed have more clean headroom on input jack and volume output runs to the `` ''... Oxford, CTS or Utah stages, Tremolo, 2x6V6, 1x12.... That ’ s mint condition museum level quality though $ 1500 at the most coax the! Label speaker in ( 12K5-6 ) when i got it it was the style at the time and a. Sounded great for surf and twang ), the Silverface style 68 has a gorgeous bassman tone for... Nice guitar/steel amp if i do n't have a master volume models are generally considered great, they different! Exactly the same as the title suggest, the Deluxe Reverb < >... Non-Reverb Deluxe is the same as the blackface Vibroverb is loud by 6.5 or so input... Fender 's blackface cabinet style up until 1967 when a switch was made to the volume and headroom they,... Vintage and a good Deluxe Reverb carr rambler Blackfac e one Which included the use that... Largely unchanged through the ensuing years, and near impossible to get.! Sonic difference do they make a pretty nice guitar/steel amp if i do n't have great.